AIRPORT HOTELS WITH FREE PARKING

12.12.2011., ponedjeljak

AMALIA DREAM HOTEL - AMALIA DREAM


Amalia dream hotel - Center plaza hotel frankfurt



Amalia Dream Hotel





amalia dream hotel






    amalia
  • Amalia is a 2008 Portuguese biographical film directed by Carlos Coelho da Silva and starring Sandra Barata, Carla Chambel and Jose Fidalgo. Barata portrays legendary Portuguese fado singer Amalia Rodrigues; songs used in the film are recordings of Amalia.

  • Amalia da Piedade Rodrigues, GCSE, GCIH, (July 23, 1920 - October 6, 1999), also known as Amalia Rodrigues was a Portuguese singer and actress. Despite official documents which give her date of birth as July 23, Rodrigues always said her birthday was July 1, 1920.

  • Amalia is a 1936 Argentine silent film directed and script written by Luis Moglia Barth. It was based on the novel by Jose Marmol and is also a remake of the 1914 film Amalia of the same name. The film starred Herminia Franco.





    dream
  • a series of mental images and emotions occurring during sleep; "I had a dream about you last night"

  • A series of thoughts, images, and sensations occurring in a person's mind during sleep

  • A cherished aspiration, ambition, or ideal

  • imaginative thoughts indulged in while awake; "he lives in a dream that has nothing to do with reality"

  • A state of mind in which someone is or seems to be unaware of their immediate surroundings

  • have a daydream; indulge in a fantasy





    hotel
  • An establishment providing accommodations, meals, and other services for travelers and tourists

  • a building where travelers can pay for lodging and meals and other services

  • A code word representing the letter H, used in radio communication

  • In French contexts an hotel particulier is an urban "private house" of a grand sort. Whereas an ordinary maison was built as part of a row, sharing party walls with the houses on either side and directly fronting on a street, an hotel particulier was often free-standing, and by the eighteenth

  • A hotel is an establishment that provides paid lodging on a short-term basis. The provision of basic accommodation, in times past, consisting only of a room with a bed, a cupboard, a small table and a washstand has largely been replaced by rooms with modern facilities, including en-suite











Olly Holzmann




Olly Holzmann





German postcard by Film-Foto-Verlag, nr. A 3825/1, 1941-1944. Photo: Hammerer/Wien-Film.

Olly Holzmann (1916-1995) was an Austrian ice skater, dancer and film actress. With her distinctive temper, her fizzy joy of life and Austrian charm, her dark hair and her ordinary but nice face she was the typical Wiener Madel in films of the 1930’s and 1940’s.

Olly Holzmann was born as Olga Holzmann in1916 (according to IMDb: 1915), in Vienna, Austria-Hungary, now Austria. She made her film debut in a small part in the spy film Hotel Sacher (1939, Erich Engel) next to Sybille Schmitz, Willy Birgel, and Wolf Albach-Retty. In her second film Frau im Strom/Woman in the Current (1939, Gerhard Lamprecht) she played the part of the girl of a motor mechanic (Attila Horbiger), who saves un unknown woman (Hertha Feiler)from the river, and falls in love with her. In the melodrama Mutterliebe/Mother Love (1939, Gustav Ucicky) she portrayed the daughter of a poor widow (Kathe Dorsch), who offers everything to make her spoiled and difficult children into useful citizens. Her first bigger role was a parlour maid in Tipp auf Amalia/Tip On Amalia (1940, Carl Heinz Wolff), who is suddenly connected to three other servants by an unexpected joint inheritance. Her most successful film commercially was the romance Wiener G’schichten/Vienna Tales (1940, Geza von Bolvary), in which she played a supporting role next to Marte Harell, Paul Horbiger and Hans Moser. In the same year she had her first leading part in the comedy Sieben Jahre Pech/Seven Years Hard Luck (1940, Hubert Marischka). At the side of Hans Moser and Theo Lingen she portrayed a young woman whose admirer (Wolf Albach-Retty) thinks he is pursued by misfortune, and therefore doesn’t dare to make her a proposal. In the crime film Funftausend Mark Belohnung/5000 Mark Reward (1942, Philipp Lothar Mayring) she played the wife af an amateur detective (Martin Urtel), who overambitiously drives her husband in all kind of troubles.

With her distinctive temper, her fizzy joy of life and Austrian charm, her dark hair and her ordinary but nice face Olly Holzmann was the typical Wiener Madel (Vienna Girl), impersonated by many actresses in the 1930’s and 1940’s. Olly is best remembered for her leading role in the lavishly produced ice spectacle Der wei?e Traum/The White Dream (1943, Geza von Cziffra). It was the first time that the former ice dancer could show sher skatings skills in a film. Her on screen lover was again Wolf Albach-Retty, but her partner in the ice scenes was world champion Karl Schafer. Athough her last three films were shot before the end of the war, they were only first shown after the war (Those films were nicknamed Uberlaufer (defectors)). In the romantic comedy Erzieherin gesucht/Governess Wanted (1945-1950, Ulrich Erfurth) she played a mannequin, who fills in for a friend as a governess for a five year old boy, and turns properly the heads of the kid’s three uncles (Ernst von Klipstein, Wolfgang Lukschy und Fritz Wagner). In the musical comedy Liebe nach Noten/Love After Notes (1945-1947, Geza von Cziffra) she learns a composer ladykiller (Rudolf Prack) that women can compose too. Her last film was the romantic comedy Mit meinen Augen/With My Eyes (1945-1948, Hans H. Zerlett) with Olga Tschechowa and Willy Birgel, in which she played a secondary part. Olly Holzmann was married twice. During the war she was married shortly to a cameraman. Her second husband was the American officer Alexander Orley, a racecar driver and export merchant, who she had met in 1945 in bombed Berlin. With her husband, her daughter and his son she went to live on a Caribbean island. After her husband’s death in 1975 she returned to her hometown, Vienna. Olly Holzmann died in 1995, in London, Great Britain.

Sources: Wikipedia and IMDb.











Athens - Grand Hotels




Athens - Grand Hotels





The King George Hotel and Hotel Grande Bretagne were the two top hotels in Athens in 1967. They were on the north side of Syntagma (Constitution) Square. I stayed at Hotel Amalia, a smaller and less elegant hotel, not far from there.

The King George Hotel (left) was built in 1936. Hotel Grande Bretagne (right) has a longer history. It was built as a mansion in 1842, when Athens was not much of a city. It was converted to a first-class hotel in 1874, when chickens still roamed the streets and utilities like running water were mostly dreams. The top floors were added in 1956. This photo is "geotagged."









amalia dream hotel







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